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A trenchantly exhilarating vocal display...
Financial Times
 
A dark dramatic and intense voice...
Guardian
 
A raw and disturbing performance pioneered with savage intensity...
Evening Standard
 
the piece finds a new young champion in Lixenberg...
Evening Standard
   
Lixenberg is an intuitive and stylish performer...
The Times
   
...the beauty and conviction of her complex vocalizing...
Opera Magazine
   
Defiantly sultry,physically and vocally Lixenberg epitomised the role...
Independant
   
Reviews from Loré Lixenberg's performance of John Cage's Aria as part of the BBC Symphony Orchestra's Cage Weekend (Jan 2004)

Loré Lixenberg brought the house down on Saturday night with Aria: Cage's wittiest and most virtuosic multi-lingual vocal work, scored for amplified voice and whatever else might come in useful. Here it was a television, a vacuum cleaner, a camera, a packet of crisps and the sassiest, funniest and riskiest stage presence around. Ecco la diva! She should have been on the telly.
Anna Picard, The Independent

Lore Lixenberg's account of Aria for solo voice was witty and brilliantly realised
Andrew Clements, The Guardian

The most outstanding performance was given by the soprano Loré Lixenberg in Cage's Aria. Lixenberg is not just a good singer, she is a deeply theatrical performer, who constantly transgressed the boundaries of musical performance, inspired by Cage, with ease and astonishing results. It brought back the excitement of the convention breaking inventiveness of Cage. Lixenberg has energy, wit and highly accomplished vocal abilities, which made her live performance a rare event.
Jean Martin, Music Web

The élan of Richard Benja- field's student troops was only beaten by soprano Loré Lixenberg's earlier solo delivery of Cage's music-theatre masterpiece Aria, complete with TV, vacuum cleaner, bag of crisps, and wobbles and shrieks in multiple styles.
Geoff Brown, The Times

Reviews of Loré Lixenberg's performance in Jerry Springer - The Opera at the Edinburgh Festival and the National Theatre, London

When Lore Lixenberg's soprano Baby Jane makes her entrance, sitting on a swing and trilling the show's melting ode to TV fame - "This is my Jerry Springer moment. I don't want this moment to die", later to be surreally reprised by a chorus line of quick-stepping Ku Klux Klan members - you can almost hear the sound of cash tills ringing, it's so theatrically perfect.
Daily Telegraph

Lore Lixenberg has never sounded better as Baby Jane - effortlessly floating her high notes.
Metro

Loré Lixenberg (Peaches and Baby Jane) in particular haunts the mind's ear and eye for days afterwards.
British Theatre Guide

Loré Lixenberg is heart-rending as Baby Jane
Metro Life

 

 

 
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